Saturday, November 22, 2008

Brigitte Fontaine & Areski Belkacem - Vous Et Nous

czarth says: "Brilliant collaboration between Brigitte Fontaine, one of the most important voices in the Chanson Française and multi-instrumentalist Areski Belkacem. Haunting. ...and, um, Stereolab."




allmusic: French singer Brigitte Fontaine made a series of increasingly strange and eclectic art-pop in the 1970s that gathered a lot of acclaim in France, although she remains obscure to an international audience.

Initially she was an eccentric but accessible pop singer, presenting melodic and orchestrated material a la a more daring version of late-'60s/early-'70s Francoise Hardy. On her first album, she worked with arranger Jean Claude Vannier, who had also done arrangements for Serge Gainsbourg.

On subsequent records she got jazzier, and then into more difficult directions of avant-gardism and art song. Her albums were commendably wide-ranging, and undeniably erratic. She could employ African tribal rhythms, discordant progressive jazz, pretty folky melodies, throat-stretching a cappella vocals, spoken poetry, and pious classical arrangements, sometimes with a stoned recklessness.


allmusic: Brigitte Fontaine and Areski Belkacem's final release before a retirement that lasted nearly 20 years, 1977's Vous et Nous is a remarkable album. A 33-track double album (song lengths range from barely 30 seconds to nearly seven minutes), Vous et Nous often sounds like nothing so much as what Stereolab would be doing two decades later. (The members of Stereolab are acknowledged fans of Fontaine, and the band's lovely "Brigitte" was written in tribute to her in 1995.)

The instrumentation alternates between bleeping synthesizers and rattlingly primitive electronic drums on some songs and acoustic guitars and hand percussion on others. For the first time, Fontaine and Belkacem split the vocal duties about evenly; his gruff, mumbled vocals contrast nicely with her much sweeter tone, and the North African and Eastern European influences he had brought to her previous few albums are much more in evidence here.

The two versions of the title track, one with a minimal electronic background and the other featuring the same Balkan-style melody played on authentic instruments, are representative of the two stylistic poles of the album. Artistically challenging yet surprisingly accessible (at least more so to a contemporary audience than it might have been upon its initial release), Vous et Nous is an endlessly fascinating cross-cultural experiment.



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