Showing posts with label The Dream Syndicate. Show all posts
Showing posts with label The Dream Syndicate. Show all posts

Thursday, November 13, 2008

Dream Syndicate - The Day Before Wine and Roses, Live at KPFK, September 5, 1982


An excellent supplemental to Days of Wine and Roses provided by CZarth. Thank you sir.
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Allmusic: As the punning title indicates, this welcome document of an early Dream Syndicate show, recorded live-in-studio for Los Angeles' KPFK station in 1982, captures the fierce intensity of the band's first lineup shortly before the release of the actual Days of Wine and Roses album. Featuring both an array of originals and well-chosen covers, Day Before is arguably the group at its best, well before the endless series of band conflicts and attempts to reach too far too fast slowly ground away at Wynn and company. Precoda is simply on fire here, maybe even more so than on Days of Wine and Roses itself, while the band as a whole gels and makes it clear that channeling inspirations of the past into the present was no crime when done so well. Hosted by longtime DJ/critic Andrea 'Enthal, who sets the stage with her introductory banter as crowds of friends and fans come in — the show itself started recording at about 2 a.m. in the morning! — the recording features some amusing comments from the band along with the strong performances. There are some radical reworkings: "Some Kinda Itch" is a slower, smokier number in this incarnation, the late-night setting perfectly matching its strung-out mood, while "John Coltrane Stereo Blues" appears under the name "Open Hour"" as a slightly more stripped-down jam. Other things don't change at all — "The Days of Wine and Roses" itself, which understandably closes the set, is as blasting as one could want. The inclusion of the covers is explained away by Wynn thus: "If you're going to bootleg this, we don't want to have to worry about the royalties." Some choices are obvious — Buffalo Springfield's "Mr. Soul" and Bob Dylan's "Outlaw Blues" — but the revamp of Donovan's "Season of the Witch" is more unexpected but plenty exciting.



Monday, November 10, 2008

The Dream Syndicate - The Days of Wine and Roses


This is one of those forgotten-about (to me) untarnished relics that popped up on Peter Zaremba's The Cutting Edge (which really deserves a musing all of its own considering how defining it was for your dear author. Ah... when MTV played music by people who could play music).
This sounds really corny but you don't hear music like this theeeese days.

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TrouserPress: Dream Syndicate was one of the first bands from Los Angeles' psychedelic revival (misleadingly dubbed the paisley underground) to reach a national audience. While many of the movement's bands plumbed the Byrds/Buffalo Springfield or Pink Floyd archives for inspiration, Dream Syndicate's weird, obsessive lyrics, relentless noise maelstroms — mixed with eerie/pretty otherworldly dirges and ballads — and singer Steve Wynn's nasal rasping and ranting recalled the Velvet Underground, though (of course) they steadfastly denied that to be their intent.
Following the release of a four-song demo on Wynn's Down There label, the quartet made its proper debut on The Days of Wine and Roses, rawly produced by Chris D. (Flesh Eaters/Divine Horsemen). With driving, feedback- drenched guitars and stream-of-consciousness lyrical spume, the record appealed to sensitive English-major college radio programmers too young to shoot up to the Velvets the first time around. (The UK-only Tell Me When It's Over EP adds three live cuts to the title track, drawn from the album.)

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