Thursday, October 16, 2008

Pharoah Sanders -Tauhid

Sanders' 2nd record under his own name.
Sharrock's 1st recording ever.



allthatjazz.com: Conventional wisdom has it that saxophonist Pharoah Sanders' signature, late-1960s astral jazz recording is "The Creator Has A Master Plan" from Karma (Impulse!, 1969). But conventional wisdom is rarely to be trusted. Clocking in at an unhurried and mesmerising 32:45, "Master Plan" is certainly definitive Sanders of the time; yet "Upper Egypt And Lower Egypt," from Sanders' own-name Impulse! debut, Tauhid, recorded in November, 1966, is arguably the finest statement in his astral oeuvre.

At a relatively brief 16:16, "Egypt" has all the elements which characterised Sanders' astral excursions—explicit spiritual references, vocal chants, a rolling bass ostinato, "exotic" percussion, out-there but lyrical tenor saxophone, and extended vamp-based collective jamming—and crucially, was played by an edgier and more challenging band, including guitarist Sonny Sharrock and pianist Dave Burrell, than was assembled for Karma. The later album was made by a distinctly more blissed-out line-up, lacking Sharrock, in which the comfort-zone pianist Lonnie Liston Smith and vocalist Leon Thomas figured large.

With Tauhid, however, Sanders—at the time a regular member of saxophonist John Coltrane's band and revelling in his first album as leader since the sock-peeling Pharoah's First (ESP Disk, 1964)—was still stretching the envelope. Of all Sanders' Impulse! albums—he stayed with the label until late 1973, when he fell victim to cost-cutting imposed by corporate bosses ABC Records—Tauhid, produced by Bob Thiele, who also produced Karma before quitting Impulse! in the summer of 1969, also has the best sound.

"Upper Egypt And Lower Egypt" is so perfect that the rest of Tauhid tends to get forgotten, but the four shorter tracks which complete the album, totalling another 18:08, are also magnificent. "Japan," inspired by Sanders' tour of the country with Coltrane's band in the summer of 1966, is as pretty as pink lotus blossom. "Aum" and "Venus," the first with Sanders on alto, are tougher and further out, before the concluding "Capricorn Rising" re-establishes the album's peaceful opening vibe.

Personnel: Pharoah Sanders: tenor and alto saxophone, piccolo, voice; Sonny Sharrock: guitar; Dave Burrell: piano; Henry Grimes: bass; Roger Blank: drums; Nat Bettis: percussion.

Hear [removed per DMCA takedown notice march 8 2011]

3 comments:

Anonymous said...

This is a really nice slice of post-Coltrane goodness.
Thanks for the good work!

PlanB247 said...

love, love, love this album. i've seen Pharoah in Chicago and New York, and highly recommend catching him if you can, though i'm not sure how much he plays these days.

oolyakoo said...

thank you for sharing this with us.

I am not the biggest free fan, but I force myself forward.

You have exquisite taste.

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