Stereolab - The Groop Played Space Age Batchelor Pad Music [1993]

oh i remember this like it was yesterday:
my first theft from the (now defunct)
Tower Records on Clark St in Chicago

it was in the IMPORTS
and like twenty-five
fucking dollars!!!

sheeeeet.

i snagged it on account of Lou B
a penpal at the time, who highly
recommended them with weed
as the perfect heartbreak fix...

(aka melancholia indulgence)


NUMB?

Stereolab - Transient Random-Noise Bursts With Announcements

This is Stereolab to me. Linear, pounding, focused, stripped-down Kraut-y and not so much of what became that latter day Stereolab thing (groovegroovegroove).

There's a real pessimism here. Some thick melancholy. Which also differs from their current day work where we find a lot more cheer, humanity, optimism.

Crest is likely my all timey fav Stereolab number.

If there's been a way to build it, there'll be a way to destroy it. Things are not all that out of control.

I suppose that's a fairly positive or comforting message... so disregard my blathering re pessimism. Such a great mantra.





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Allmusic: Though it was the group's major-label debut, Stereolab's Transient Random-Noise Bursts With Announcements showed no signs of selling out. If anything, it's one of the most eclectic and experimental releases in Stereolab's early career, emphasizing the group's elongated Krautrock jams, instrumentals, and harsh, noisy moments. The album begins and ends with smooth, sensual washes of sound like "Tone Burst" and "Lock-Groove Lullaby" and smoothly bouncy pop songs like "I'm Going Out of My Way." These softer, more accessible moments surround complex and varied compositions such as "Analogue Rock," "Our Trinitone Blast," and "Golden Ball," which, with its distorted vocals and shifting tempos, serves as an appetizer for "Jenny Ondioline." A hypnotic, 18-minute epic encompassing dreamy yet driving pop, a Krautrock groove, forceful, churning guitars, and a furious climax, it's the most ambitious -- and definitive -- moment of Stereolab's early years. But Transient Random-Noise Bursts With Announcements also features quietly experimental pieces such as "Pause," a slightly spooky song that uses distorted whispers as a rhythm track and places fluttery keyboards and Laetitia Sadier and Mary Hansen's sweet, slightly alien harmonies atop it. Likewise, the very sexy, very French "Pack Yr Romantic Mind" reveals the growing influence of '50s and '60s easy listening on the group's musical direction. If Switched On and Peng! defined the band's essential sound, Transient Random-Noise Bursts With Announcements expanded it, reaffirming Stereolab's place as one of the most innovative and evolving groups of the '90s.


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