David Bowie - Live in Santa Monica '72

Dr. Wikistein: Santa Monica '72 is a live album by David Bowie, recorded at Santa Monica Civic Auditorium on 20 October 1972 during the Ziggy Stardust tour. Taken from an FM radio broadcast,^[1] it was available only as a bootleg for more than 20 years; according to author David Buckley, possessing a copy was the test of a "proper Bowie fan".^[2] The recording was issued officially by the Golden Years label in 1994, with Griffin Music handling the American release in 1995.

This live album features a quite different setlist to the one found on Ziggy Stardust - The Motion Picture (1983), which was recorded nine months afterwards and similarly bootlegged prior to its belated official release. The Santa Monica recording is generally considered a superior representation of the Ziggy Stardust concerts in terms of both sound quality and standard of playing.^[3] In 1981, NME critics Roy Carr and Charles Shaar Murray called it not simply "the performer's best ever bootleg", but "far superior to either of Bowie's official location recordings" to that date, David Live (1974) and Stage (1978).^[1]

A gold disc edition with the DJ's closing remarks at the end was made available in Holland, while in the U.S. a special limited box set was released that included a t-shirt, a key chain and a short video. The video was not actually from the Santa Monica show, but was previously unseen footage from a silent colour film made at a concert in Dunstable, England on 21 June 1972. The video was combined with the live audio recording from the Santa Monica concert. This box was limited to only 1000 copies. In addition, an even more limited edition was released as a small wooden box with Bowie's image carved into the lid, and a brass plate indicating the series number. Only 250 copies were made.^[3][4]

This semi-legal release was one in the series of mid-nineties releases by MainMan, Bowie's former management company during the seventies (other ones being RarestOneBowie and the Ava Cherry & The Astronettes album People from Bad Homes). All these albums were released without Bowie's approval and are currently deleted.

An official version — Live Santa Monica '72 — was issued by EMI/Virgin in 2008.

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Soft Machine - Soft Machine (1968)

A wild, freewheeling, and ultimately successful attempt to merge psychedelia with jazz-rock, Soft Machine's debut ranges between lovingly performed oblique pop songs and deranged ensemble playing from drummer/vocalist Robert Wyatt and organist Mike Ratledge. With only one real break (at the end of side one), the songs merge into each other -- not always smoothly, but always with a sense of flair that rescues any potential miscues. Wyatt takes most of the vocals, and proves himself a surprisingly evocative singer despite his lack of range. Like Pink Floyd's The Piper at the Gates of Dawn, Volume One was one of the few over-ambitious records of the psychedelic era that actually delivered on all its incredible promise.


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